The traditional practise of “khat” or Arabic calligraphy is physically a very solemn quiet world. Unlike the modern street or home-style calligraphy, or fusions of urban and classical calligraffiti of modern today, it can be a lively exuberant work of art that can be publicly engaging or visually interactive, especially meeting the energetic eyes of the upcoming ultra-modern generations. However, if one may observe, it’s rooted back to emotional notions of messages, mostly caged in the hearts of the streets of everyday life, cross-firings of opinions intertwined among different levels and textures of society, only with limited materials, energised by the desire to express, thence creativity of messages sprouted quietly like viruses. It took decades crossing over the intellectual red, blue and white tapes of the society before it could be accepted as part of human science. And no they are not viruses, they are simply expressions of human energy.
The world of the pen is a different realm of civilisation. Much, much different than what we think we could justify with our intelligence, by defining and redefining things over thousands and thousands of pages, through the humble companions of pen, ink and paper. And now, the keyboard and the screen.
In this article, we are featuring a 4-min documentary video on the practise of Khat. The intention of this documentary is to give an insight to the practise of Arabic calligraphy. It unveils the quiet routine drills of a khat practitioner, whereby the moments of the heart, mind and soul are working in unison, submitting to the principles, discipline and philosophy of the craft.
While physically it’s a quiet world on the outside, it may be and extremely exhaustive world on the inside. The practitioner is constantly coordinating its senses, making deals with the pen, ink and paper, talking to the letters and spaces, at times getting lost on the track, yet searching for potential viable paths of construction, all these just to compose a message. And the practitioner is not merely dealing with what we call “pen, ink and paper”, but sensitive components of fibres, molecules and grains. A lot of times facing disagreements with all these entities, and sometimes managed agreeable terms, and seldom, a practitioner is able to achieve a successful engagement to finalised a letterform into a master class of its own. And to repeat an achievement, one has to engage another deal of negotiation, which usually grew much difficult. The higher the achievement, the more difficult to climb the path. The strive to learn, to unlearn and relearn, and to shave off every single dust of complacency at any point of time, is a must.
The submission is harsh. And therefore perfection could only be a dream. The past calligraphy masters continued their dreams to the realm of eternity.
We hope you’ve gain a better insight through our short video here. And hope that you’ve achieved a better understanding on khat. And certainly, we hope you would give it a try! And for those who have been practising, keep on it.
And if you’re interested on the craft of calligraphy pen-making, checkout our article on Qalam Crafting by clicking HERE.
Till then thank you for keeping up with us, we hope to update more things to you in the future!
COPYRIGHT © FADDHO. ALL RIGHTS RESERVED. PRODUCED BY FADDHO KHAT RESEARCH CENTRE.
ALL CREATIVES AND INFORMATION FEATURED IN THIS MEDIA ARE PRESERVED AND PROTECTED UNDER COPYRIGHT ACT. FADDHO RESERVES THE RIGHTS TO DICTATE THIS USAGE IN WHATEVER PERIMETERS IT DEEMS FIT. THEREFORE IT IS PUNISHABLE BY LAW TO USE, COPY, DRAW, DISSEMINATE OR TO RECREATE IT IN WHICHEVER POSSIBLE.